Materiality as a Basis for Valuation Entrepreneurship: Re-modeling Impressionism

References

• Abbott A (2001) Chaos of Disciplines (University of Chicago Press, Chicago).Google Scholar
• Albert S , Whetten DA (1985) Organizational identity. Res. Organ. Behav. 7:263–295.Google Scholar
• Baxandall M (1980) The Limewood Sculptors of Renaissance Germany (Yale University Press, New Haven, CT).Google Scholar
• Baxandall M (1985) Patterns of Intention: On the Historical Explanation of Pictures (Yale University Press, New Haven, CT).Google Scholar
• Bechky BA (2003) Sharing meaning across occupational communities: The transformation of understanding on a production floor. Organ. Sci. 14(3):312–330.Link, Google Scholar
• Becker HS (1978) Arts and crafts. Amer. J. Sociol. 83(4):862–889.Crossref, Google Scholar
• Becker HS (1982) Art Worlds (University of California Press, Berkeley, CA).Google Scholar
• Becker HS , Faulkner RR , Kirshenblatt-Gimblett B (2006) Editors’ introduction: Art from start to finish. Art from Start to Finish: Jazz, Painting, Writing and Other Improvisations (University of Chicago Press, Chicago), 1–20.Google Scholar
• Behagg C (1998) Mass production without the factory: Craft producers, guns and small firm innovation, 1790–1815. Bus. History 40(3):1–15.Crossref, Google Scholar
• Bell E , Mangia G , Taylor S , Toraldo ML (2018) The Organization of Craft Work: Identities, Meanings, and Materiality (Routledge, New York).Crossref, Google Scholar
• Beyes T (2017) Colour and organization studies. Organ. Stud. 38(10):1467–1482.Crossref, Google Scholar
• Boltanski L , Thévenot L (2006) On Justification: Economies of Worth , vol. 27 (Princeton University Press, Princeton, NJ).Crossref, Google Scholar
• Born G (2011) Music and the materialization of identities. J. Material Culture 16(4):376–388.Crossref, Google Scholar
• Bouillon JP (1986) Sociétés d’artistes et institutions officielles dans la seconde moitié du XIXème siècle. Romantisme 54:89–113.Crossref, Google Scholar
• Bourdieu P (1996) The Rules of Art: Genesis and Structure of the Literary Field (Stanford University Press, Stanford, CA).Crossref, Google Scholar
• Boxenbaum E , Jones C , Meyer RE , Svejenova S (2018) Toward an articulation of the material and visual turn in organization studies. Organ. Stud. 39(5–6):597–616.Crossref, Google Scholar
• Brown AD (2015) Identities and identity work in organizations. Internat. J. Management Rev. 17(1):20–40.Crossref, Google Scholar
• Callen A (2000) The Art of Impressionism: Painting Technique & the Making of Modernity (Yale University Press, New Haven, CT).Google Scholar
• Callen A (2015) The Work of Art: Plein Air Painting and Artistic Identity in Nineteenth-Century France (Reaktion Books, London).Google Scholar
• Carroll GR , Wheaton DR (2009) The organizational construction of authenticity. Res. Organ. Behav. 29:255–282.Crossref, Google Scholar
• Cattani G , Ferriani S , Lanza A (2017) Deconstructing the outsider puzzle: The legitimation journey of novelty. Organ. Sci. 28(6):965–992.Link, Google Scholar
• Caves R (2000) Creative Industries: Contracts Between Art and Commerce (Harvard University Press, Boston).Google Scholar
• Cerulo KA (1995) Identity Designs: The Sights and Sounds of a Nation (Rutgers University Press, Princeton, NJ).Google Scholar
• Cohendet P , Grandadam D , Simon L , Capdevila I (2014) Epistemic communities, localization and the dynamics of knowledge creation. J. Econom. Geography 14(5):929–954.Crossref, Google Scholar
• Cottington D (1998) Cubism in the Shadow of War: The AvantGarde and Politics in Paris, 1905–1914 (Yale University Press, New Haven, CT).Google Scholar
• Cowen T (2000) In Praise of Commercial Culture (Harvard University Press, Boston).Crossref, Google Scholar
• de la Fuente E (2010) In defence of theoretical and methodological pluralism in the sociology of art: A critique of Georgina Born’s programmatic essay. Cultural Sociol. 4(2):217–230.Crossref, Google Scholar
• Delacour H , Leca B (2017) The paradox of controversial innovation: Insights from the rise of impressionism. Organ. Stud. 38(5):597–618.Crossref, Google Scholar
• DeNora T (2000) Music in Everyday Life (Cambridge University Press, Cambridge, MA).Crossref, Google Scholar
• Distel A (1990) Impressionism: The First Collectors (Harry Abrams, New York).Google Scholar
• Dominguez Rubio F , Silva EB (2013) Materials in the field: Object-trajectories and object-positions in the field of contemporary art. Cultural Sociol. 7(2):161–178.Crossref, Google Scholar
• Duret T (1919/1892) Histoire des peintres Impressionnistes: Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin (H. Floury, Paris).Google Scholar
• Eisenhardt K , Graebner M (2007) Theory building from cases: Opportunities and challenges. Acad. Management J. 50(1):25–32.Crossref, Google Scholar
• Eisenman SF (1992) The intransigent artist or how the Impressionists got their name. Frascina F, Harris J, eds. Art in Modern Culture: An Anthology of Critical Texts (Westview Press, Boulder, CO), 189–197.Google Scholar
• Emirbayer M , Goodwin J (1994) Network analysis, culture, and the problem of agency. Amer. J. Sociol. 99(6):1411–1454.Crossref, Google Scholar
• Endrissat N , Islam G , Noppeney C (2016) Visual organizing: Balancing coordination and creative freedom via mood boards. J. Bus. Res. 69(7):2353–2362.Crossref, Google Scholar
• Faraj S , Azad B (2012) The materiality of technology: An affordance perspective. Leonardi PM, Nardi BA, Kallinikos J, eds. Materiality and Organizing: Social Interaction in a Technological World (Oxford University Press, New York), 237–258.Crossref, Google Scholar
• Feld SL (1981) The focused organization of social ties. Amer. J. Sociol. 86(5):1015–1035.Crossref, Google Scholar
• Fuhse JA (2009) The meaning structure of social networks. Sociol. Theory 27(1):51–73.Crossref, Google Scholar
• Garud R , Karnøe P (2001) Path creation as a process of mindful deviation. Path Dependence and Creation (Lawrence Erlbaum Associates, Mahwah, NJ), 1–38.Google Scholar
• Gell A (1998) Art and Agency: An Anthropological Theory (Oxford University Press, New York).Google Scholar
• Genet-Delacroix M-C (1992) Art et État sous la IIIe République: Le Système des Beaux-Arts 1870–1940 (Publications de la Sorbonne, Paris).Crossref, Google Scholar
• Gherardi S , Perrotta M (2013) Doing by inventing the way of doing: Formativeness as the linkage of meaning and matter. Carlile PR, Nicolini D, Langley A, Tsoukas H, eds. How Matter Matters: Objects, Artifacts and Materiality in Organization Studies (Oxford University Press, New York), 227–259.Crossref, Google Scholar
• Gibson JJ (1982) A preliminary description and classification of affordances. Reed ES, Jones R, eds. Reasons for Realism, (Part II) (Lawrence Erlbaum Associates, Mahwah, NJ), 403–406.Google Scholar
• Gieryn T (2002) What buildings do. Theory Soc. 31(1):35–74.Crossref, Google Scholar
• Gowing L (1988) Cézanne: The Early Years 1859–1872 (Royal Academy of Arts, London).Google Scholar
• Greenwood R , Suddaby R , Hinings CR (2002) Theorizing change: The role of professional associations in the transformation of institutionalized fields. Acad. Management J. 45(1):58–80.Crossref, Google Scholar
• Hesselberth P (2014) Cinematic Chronotopes Here, Now, Me (Bloomsbury Academic, London).Crossref, Google Scholar
• Hokanson A (2016) Turner’s whaling pictures. Bull. Metropolitan Museum Art 73(4):1–48.Google Scholar
• Hutchby I (2001) Technologies, texts and affordances. Sociol . 35(2):441–456.Crossref, Google Scholar
• Huyghe R (1974) Shifts in thought during the Impressionist era: Painting, science, literature, history and philosophy. Impressionism: A Centenary Exhibition, the Metropolitan Museum of Art (Metropolitan Museum of Art, New York), 14–33.Google Scholar
• Ibarra H , Kilduff M , Tsai W (2005) Zooming in and out: Connecting individuals and collectivities at the frontiers of organizational network research. Organ. Sci. 16(4):359–371.Link, Google Scholar
• Isaac L (2009) Movements, aesthetics, and markets in literary change: Making the American labor problem novel. Amer. Sociol. Rev. 74(6):938–965.Crossref, Google Scholar
• Isaacson W (2017) Leonardo da Vinci (Simon & Schuster, New York).Google Scholar
• Jones C , Maoret M (2018) Frontiers of creative industries: Exploring structural and categorical dynamics. Jones C , Maoret M , eds. Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics (Emerald Publishing, Bingley, UK), 1–16.Crossref, Google Scholar
• Jones C , Massa FG (2013) From novel practice to consecrated exemplar: Unity Temple as a case of institutional evangelizing. Organ. Stud. 34(8):1099–1136.Crossref, Google Scholar
• Jones C , Maoret M , Massa FG , Svejenova S (2012) Rebels with a cause: Formation, contestation, and expansion of the de novo category “modern architecture,” 1870–1975. Organ. Sci. 23(6):1523–1545.Link, Google Scholar
• Jones C , Meyer R , Jancsary D , Höllerer M (2017) The material and visual basis of institutions. Greenwood R , Oliver C , Lawrence T , Meyer R , eds. The SAGE Handbook of Organizational Institutionalism (Sage, New York), 621–646.Google Scholar
• Joyeux-Prunel B (2005) Nul n’est Prophète en son pays… ” ou la Logique Avant-Gardiste. L’internationalisation de la Peinture des Avant-Gardes Parisiennes, 1855–1914 (Université Paris 1 - Panthéon Sorbonne, Paris).Google Scholar
• Joyeux-Prunel B (2015) Les Avant-Gardes Artistiques 1848–1918. Une Histoire Transnationale (Editions Gallimard, Paris).Google Scholar
• Kaufman J (2004) Endogenous explanation in the sociology of culture. Annual Rev. Sociol. 30:335–357.Crossref, Google Scholar
• Kilduff M , Tsai W , Hanke R (2006) A paradigm too far? A dynamic stability reconsideration of the social network research program. Acad. Management Rev. 31(4):1031–1048.Crossref, Google Scholar
• Knorr-Cetina K (1997) Sociality with objects: Social relations in postsocial knowledge societies. Theory Culture Soc. 14(4):1–30.Crossref, Google Scholar
• Kuran T (1995) The inevitability of future revolutionary surprises. Amer. J. Sociol. 100(6):1528–1551.Crossref, Google Scholar
• Lamont M (2012) Toward a comparative sociology of valuation and evaluation. Annual Rev. Sociol. 38:201–221.Crossref, Google Scholar
• Langlais X (1959) La Technique de la Peinture a l’Huile (Flammarion, Paris).Google Scholar
• Latour B (2005) Reassembling the Social (Cambridge University Press, London).Google Scholar
• Lee N , Brown S (1994) Otherness and the actor network: The undiscovered continent. Amer. Behav. Sci. 37(6):772–790.Crossref, Google Scholar
• Leighton J (2001) An introduction. Ferretti-Bocquillon M, Distel A, Leighton J, Alyson Stein S, eds. Signac 1863–1935 (Metropolitan Museum of Art, New York), 3–23.Google Scholar
• Leonardi PM (2012) Materiality, sociomateriality, and socio-technical systems: What do these terms mean? How are they different? Do we need them? Leonardi P, Nardi B, Kallinikos J, eds. Materiality and Organizing: Social Interaction in a Technological World (Oxford University Press, New York), 25–48.Google Scholar
• Leonardi PM (2013) Theoretical foundations for the study of sociomateriality. Inform. Organ. 23(2):59–76.Crossref, Google Scholar
• Leonardi PM , Barley SR (2008) Materiality and change: Challenges to building better theory about technology and organizing. Inform. Organ. 18(3):159–176.Crossref, Google Scholar
• Luckman S (2015) Craft and the Creative Economy (Springer, Berlin).Crossref, Google Scholar
• McDonnell , Terence E (2010) Cultural objects as objects: Materiality, urban space, and the interpretation of AIDS campaigns in Accra, Ghana. Amer. J. Sociol. 115(6):1800–1852.Crossref, Google Scholar
• Merrill L (1992) A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin (Smithsonian Institution Press, Washington, DC).Google Scholar
• Meyer R (1969) A Dictionary of Art Terms and Techniques (Crowell, Springfield, OH).Google Scholar
• Moeran B (2013) The Business of Creativity: Toward an Anthropology of Worth (Routledge, New York).Google Scholar
• Moliterno T , Mahony DM (2011) Network theory of organization: A multilevel approach. J. Management 37(2):443–467.Crossref, Google Scholar
• Nicholls T (2015) Tintoretto: Tradition and Identity (Reaktion Books, London).Google Scholar
• Orlikowski WJ (1992) The duality of technology: Rethinking the concept of technology in organizations. Organ. Sci. 3(3):398–427.Link, Google Scholar
• Orlikowski WJ , Scott SV (2008) Sociomateriality: Challenging the separation of technology, work and organization. Acad. Management Ann. 2(1):433–474.Crossref, Google Scholar
• Peterson RA (1990) Why 1955? Explaining the advent of rock music. Popular Music 9(1):97–116.Crossref, Google Scholar
• Pitman D (1998) Bazille: Purity, Pose, and Painting in the 1860s (Penn State University Press, University Park, PA).Google Scholar
• Pratt MG , Rafaeli A (2006) Artifacts and organizations: Understanding our “objective” reality. Artifacts and Organizations. Beyond Mere Symbolism (Routledge, Abingdon, UK), 279–288.Google Scholar
• Pye D (1979) The Art of Workmanship (Royal College of Art, London).Google Scholar
• Rao H , Monin P , Durand R (2003) Institutional change in Toque Ville: Nouvelle cuisine as an identity movement in French gastronomy. Amer. J. Sociol. 108(4):795–843.Crossref, Google Scholar
• Rewald J (1973) The History of Impressionism (Metropolitan Museum of Art, New York).Google Scholar
• Rewald J (1974) The Impressionist Brush (Metropolitan Museum of Art, New York), 2–4, 54–55.Google Scholar
• Roberts K , Grabowski M (1996) Organizations, technology and structuring. Clegg S , Hardy C , Nord W , eds. Handbook of Organization Studies (Sage Publishing, New York), 409–423.Google Scholar
• Rodin A (1983) On Art and Artists: Conversations with Paul Gsell. (Dover Publications, New York).Google Scholar
• Ruskin J (1877) Fors Clavigera (1871–1884), [Letter 79 (18th June 1877).Google Scholar
• Sennett R (2008) The Craftsman (Yale University Press, New Haven, CT).Google Scholar
• Sgourev SV (2013) How Paris gave rise to Cubism (and Picasso): Ambiguity and fragmentation in radical innovation. Organ. Sci. 24(6):1601–1617.Link, Google Scholar
• Sgourev SV (2020) The Alchemy of painting: How the technology of oil paint transmuted art. Pedersen J , Slavich B , Khaire M , eds. Technology and Creativity (Palgrave Macmillan, London), 37–62.Google Scholar
• Sgourev SV , Althuizen N (2014) “Notable” or “Not Able”: When are acts of inconsistency rewarded? Amer. Sociol. Rev. 79(2):282–302.Crossref, Google Scholar
• Sgourev SV , Althuizen N (2017) Is it a masterpiece? Social construction and objective constraint in the evaluation of excellence. Soc. Psych. Quart. 80(4):289–309.Crossref, Google Scholar
• Shaw JD , Tangirala S , Vissa B , Rodell JB (2018) New ways of seeing: Theory integration across disciplines. Acad. Management J. 61(1):1–4.Crossref, Google Scholar
• Shiner L (2001) The Invention of Art: A Cultural History (University of Chicago Press, Chicago).Crossref, Google Scholar
• Siggelkow N (2007) Persuasion with case studies. Acad. Management J. 50(1):20–24.Crossref, Google Scholar
• Steinberg A , Wylie J (1990) Counterfeiting nature: Artistic innovation and cultural crisis in renaissance Venice. Comparative Stud. Soc. History 32(1):54–88.Crossref, Google Scholar
• Strati A (2007) Sensible knowledge and practice-based learning. Management Learn. 38(1):61–77.Crossref, Google Scholar
• Swidler A (2001) Talk of Love: How Culture Matters (University of Chicago Press, Chicago).Google Scholar
• Tanner J (2010) Michael Baxandall and the sociological interpretation of art. Cultural Sociol.. 4(2):231–256.Crossref, Google Scholar
• Taylor C (1992) The Ethics of Authenticity (Harvard University Press, Cambridge, MA).Crossref, Google Scholar
• Tilly C (1998) Durable Inequality (University of California Press, Berkeley, CA).Crossref, Google Scholar
• Tinterow G (1987) Modern Europe (The Metropolitan Museum of Art, New York), 8, 6–11.Google Scholar
• Tinterow G , Loyrette H (1994) Origins of Impressionism (Metropolitan Museum of Art, New York).Crossref, Google Scholar
• Ullrich P (2004) Workmanship: The hand and body as perceptual tools. Objects and Meaning: New Perspectives on Art and Craft (The Scarecrow Press, Lanham, MD), 198–214.Google Scholar
• Venturi L (1968) Les Archives de l'impressionnisme, Lettres de Renoir, Monet, Pisarro, Sisley, et autres (B. Franklin, New York).Google Scholar
• Weber K , Heinze KL , DeSoucey M (2008) Forage for thought: Mobilizing codes in the movement for grass-fed meat and dairy products. Admin. Sci. Quart. 53(3):529–567.Crossref, Google Scholar
• White H (1992) Identity and Control: A Structural Theory of Social Action (Princeton University Press, Princeton, NJ).Google Scholar
• White H , White C (1965) Canvases and Careers: Institutional Change in the French Painting World (University of Chicago Press, Chicago).Google Scholar
• White H , Fuhse J , Thiemann M , Buchholz L (2007) Networks and meaning: Styles and switchings. Soziale Systeme 13(1–2):543–555.Crossref, Google Scholar
• Wijnberg NM , Gemser G (2000) Adding value to innovation: Impressionism and the transformation of the selection system in visual arts. Organ. Sci. 11(3):323–329.Link, Google Scholar
• Yaneva A (2009) Making the social hold: Toward an actor-network theory of design. Design Culture 1(3):273–288.Crossref, Google Scholar
• Zuckerman EW (1999) The categorical imperative: Securities analysts and the illegitimacy discount. Amer. J. Sociol. 104(5):1398–1438.Crossref, Google Scholar
• Zuckerman EW (2012) Construction, concentration, and (dis)continuities in social valuations. Annual Rev. Sociol. 38:223–245.Crossref, Google Scholar
• Zuckerman EW , Kim TY , Ukanwa K , von Rittmann J (2003) Robust identities or non-entities? Amer. J. Sociol. 108(5):1018–1074.Crossref, Google Scholar