Research Article

Balancing Act: Learning from Organizing Practices in Cultural Industries

Pages:263–269

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.263.12503

When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry

Pages:270–284

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.270.12502

When Cymbals Become Symbols: Conflict Over Organizational Identity Within a Symphony Orchestra

Pages:285–298

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.285.12496

Beyond Networks and Hierarchies: Latent Organizations in the U.K. Television Industry

Pages:299–305

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.299.12500

Resource Partitioning, the Founding of Specialist Firms, and Innovation: The American Feature Film Industry, 1912–1929

Pages:306–322

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.306.12504

Adding Value to Innovation: Impressionism and the Transformation of the Selection System in Visual Arts

Pages:323–329

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.323.12499

Linking Organizational Values to Relationships with External Constituents: A Study of Nonprofit Professional Theatres

Pages:330–347

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.330.12497

The Entrepreneurial M-Form: Strategic Integration in Global Media Firms

Pages:348–355

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.348.12501

Cultural Industries Revisited

Pages:356–361

Published Online:June 1, 2000

https://doi.org/10.1287/orsc.11.3.356.12498

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